Kintsukuroi

Kintsukuroi

The art of the golden repair

 

First I am music:
orchestra electric, rowdy,
loud enough to waken fossils underfoot.
My horns set feathers shaking, 
histories drowning, thunder-headed, 
sprung-floor pounding eight-bar blues, 
a capella when it suits, sweet as vespers. 
And when my sound is torn to dust and whispers

 

I am drawing, drafting, 
casting loops elliptic round moons
Danish blue and white.
I am neon night, fast-train tracing 
ley lines point to point, 
a lighthouse vector signal
safe to ships on rising water,
until my arcs and structures shatter; 

 

I am clay, 
vessels domestic, thrown
bowls to chalice seaglass, 
honeypots reaching
a sweetmeat-plattered past.
So much keeping, legacies 
packed in wool, baffled, still
fractured. And if, after all,

 

I end as bits and fragments,
opus dyslexic, crow-hoard
shards of being, brittle
as a bird’s outstretched wing,
join the riddled anthems, 
missing beats, art to lift 
one life, one heart made whole,
and mend the cracks, the breaks with gold.


‘Kintsukuroi’ took 2nd place in the Charroux Memoir Poetry Prize 2019 and was first published in Boujour Limosin.

Photo credit: Gen Saratani, www.urushi.info/kintsugi

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When the House at the End of the Track Slipped Through the Crust of the Earth